Episode 165: Ray Liotta Lives On
On this week’s episode, we pay tribute to Field of Dreams actor Ray Liotta, and discuss an absurd suspension for Tommy Pham, Dallas Keuchel’s release, and Russell Martin’s retirement.
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Episode 458: Phillies, Golf, and The Traitors Finale Matt Crone
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452. Introducing the ’90 Captain America Director’s Cut Seth Everett
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Three NFL Futures Areas To Find Value Sean Ryan
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Coach The Player, Protect The Person Coach Trav
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Episode 321: Saying No to UEFA? Greg Crone
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Ep. 252: Would Barry Bonds Have Been a HoF’r w/o PEDs? Michael Dault
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205: Chasing Gold Doyce Kirkland
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Episode 361: Goodbye Maz, Goodbye Tony Clark Chase Madorsky
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Brother’s Wife or Wife’s Sister? Jaela Wesley
This week on Ten Movies:
The Rock doesn’t just fight giant monsters in this one, he fights giant monsters and has an enormous monkey for a best friend. Hard to see how it could miss.
If you’re a Gen Xer, you may remember the beloved arcade game on which ‘Rampage’ was based. They’ve added some stuff, but the story is the same – giant mutant animals fighting and smashing up a city.
In the movie, Dwayne Johnson plays a primatologist – his usual turn as a strong, silent, confident, supremely competent ex-military guy. Due to the machinations of some sort of evil biotech company, his money friend George is mutated into King-Kong proportions, along with a couple of other animals. The Rock and an attractive lady scientist must track the mutant animals to Chicago, whence the evil biotech company has summoned them, in defiance of all logic.
‘Rampage’ came out in 2018, and was directed by Brad Peyton, who you may remember from such Dwayne Johnson vehicles as ‘San Andreas’ – a reactionary disaster epic we reviewed earlier in the season – and ‘Journey 2: The Mysterious Island’ – a low-budget kid’s thriller that is honestly not worth the time it takes to watch. The Rock, in his desire to produce multiple feature films a year, has a notable fondness for directors like Peyton and Rawson Marshall Thurber. They may not bring much of an artistic perspective to the project, but they know how to produce content.
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